Concert Bank
Concert Tickets You Can Bank On at ConcertBank.com!
100% Satisfaction Guarantee


Outstanding Concert Performances in 2024

The Coasters Concert Tickets

The Coasters were formed in Los Angeles, California in 1955 by Carl Gardner (tenor) and Bobby Nunn (bass) after the split of doo wop group The Robins. Their collaboration with legendary songwriters Jerry Leiber and Mike Stoller gave them a unique sound that was very humorous most of the time. Their first huge hit came with "Young Blood" and "Searching. Check our available The Coasters concert ticket inventory and get your tickets here at ConcertBank now. Sign up for an email alert to be notified the moment we have tickets!


When Where Ticket Event Tickets
No tour dates found..


Find Other Concerts

The Coasters Videos

The Coasters Reviews

Avg. Customer Rating:
5.0 (based on 3 reviews)

The Coasters were the class clowns of '50s rock & roll. But they were also highly accomplished singers, and as masterminded by songwriter-producers Jerry Leiber and Mike Stoller, hits like "Searchin'," "Yakety Yak" and "Along Came Jones" were so tight, they crackled. This completist box is too much of a good thing?all of the disc-four rarities have superior original mixes...
- www.blender.com
They were great comedians, but they were also the most musically accomplished vocal group of the '50s. Their ensemble precision cuts the Moonglows, even the Clovers, obviating the need for a takeover guy like Frankie Lymon or James Brown. Credit tenor Carl Gardner, baritone Billy Guy, and bass men Dub Jones and Bobby Nunn, but grant authorship to Jerry Leiber and Mike Stoller, control freaks among Atlantic's mere perfectionists--Stoller used to write King Curtis's sax breaks, for God's sake...
- www.robertchristgau.com
Alone among the great '50s vocal groups, the Coasters didn't sing protosoul--didn't invest pop sentiment with spiritual transport. Instead, Leiber & Stoller crafted teen mini-sagas that exploited the cartoonish edge of Carl Gardner's sharp tenor and Bobby Nunn's (later Dub Jones's) broad bass. Yet performance--which for Leiber & Stoller also signified production--can carry the music when the composition isn't at its familiar peak of idiomatic brilliance...
- www.robertchristgau.com
Google+ by Chris Robertson