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Melissa Etheridge Concert Tickets

Melissa Lou Etheridge (born May 29, 1961) is an American rock singer-songwriter, guitarist, and activist. Her self-titled debut album was released in 1988 and become an underground hit. The album peaked at #22 on the Billboard 200, and its lead single, Bring Me Some Water, garnered Etheridge her first Grammy nomination for Best Female Rock Vocal Performance. Check our available Melissa Etheridge concert ticket inventory and get your tickets here at ConcertBank now. Sign up for an email alert to be notified the moment we have tickets!


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Avg. Customer Rating:
5.0 (based on 9 reviews)

This is Etheridge's most consistent and feisty set since her 1988 debut, proving this hard-rocking heartland chick hasn't mellowed with age. From the lead-off Fearless Love (with its Coldplay-esque piano) through her social commentary of California's anti-gay Prop 8 (Miss California) to the hard rock hooks of Nervous, Etheridge has never sounded more passionate or more intense. Then she brings it all to a quiet, compassionate close with the acoustic ballad Gently We Row.
- www.hour.ca
If you were among the Montrealers left holding a ticket to Melissa's Montreal concerts, cancelled just before she had successful breast cancer surgery this past summer, the next best thing is this live album on which Etheridge performs all 13 songs from her recent studio album, Lucky, including the fan favourite Breathe. The concert was recorded at NYC's Roseland Ballroom, which you can also see in this CD+DVD. Either way, it'll keep Melissa fans more than happy until her return to Montreal.
- www.hour.ca
This is tailor made for Meh-lissa Etheridge fans (and by fans, I mean not me). Pretty much evenly split between originals (the radio-ready Glorious) and traditionals (the caught-in-a-moment Have Yourself a Merry Little Christmas, which actually comes closest to conjuring a seasonal spirit), it's her own writing that powers the release, and as such, without the extra Christmas ornamentation, probably could have passed for any other Etheridge album, which again I suppose is welcome news for fans...
- www.hour.ca
Back from her bout with breast cancer, a rejuvenated Etheridge submits this 17-track compilation in time for the holiday season...
- www.hour.ca
Last year, Melissa theridge reversed her slide into adult-contemporaryirrelevance with "I Need to Wake Up," the Oscar-winning environmentalanthem she contributed to An Inconvenient Truth. Her ninth LP's title (The Awakening) sounds like a promise to expand on that MO, yet the first few tracksfind Etheridge wasting her weather-beaten voice on bland lyrics andarrangements...
- ew.com
Twenty-plus years into a lauded career seems like a weird time to finally be taking stock of the contemporary rock scene for influence, but it's hard not to hear echoes of the charging arena shimmer of hit-makers Kings of Leon (or Coldplay, for that matter) in the title track of "Fearless Love.'' It's a cascade of delay-drenched guitars buoyed by a thrusting kick and snare so huge each record should come packaged with its own rapturous audience...
- www.boston.com
I know this is heretical, and let me say, yes, Melissa Etheridge is a saint. But, gosh, I wish she'd do a k.d. lang and start recording other people's music. No one can question her rocker cred: She's a powerhouse vocalist and an explosive performer. But she's been writing the same three songs for years. The dynamics are all but interchangeable from one song to the next: Start out soft in a low, talky tone, rip to a sustained high note, follow with a guitar lick and a refrain...
- www.sfgate.com
Before she became the epitome of all that's tedious about rock music made by lesbians, Etheridge made this record. Admittedly, it's extremely earnest and doesn't exactly rewrite the rules of rock, yet it opens with "Similar Features"—not quite in the league of Furniture's "She Gets Out The Scrapbook" as songs about the indelible stain of the ex-lover go, but pretty damn fierce nonetheless...
- www.uncut.co.uk
Melissa Etheridgeproves she's not just another girl with a guitar in the first secondsof Never Enough's opener, "Ain't It Heavy": Coming on full throttle,she recalls the young, extraordinary Rod Stewart ? she's got the samebrassy warmth. Here, that warmth charges through a broader range ofstyles than on her last album, 1989's Brave and Crazy...
- ew.com
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