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Phantogram is a trip-hop/psych-pop duo which formed in 2007 in Saratoga Springs, New York, USA. The band consists of Sarah Barthel (vocals, keyboards) and Joshua Carter (guitar, vocals). Their music can be described as a culmination of unique street beat rhythms, psychedelic melodies and organic textures. Check our available Phantogram concert ticket inventory and get your tickets here at ConcertBank now. Sign up for an email alert to be notified the moment we have tickets!


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Avg. Customer Rating:
5.0 (based on 9 reviews)

Phantogram aren't shy about holding up their black mirror, its warts-and-all reflections cast against ice-cold yet inviting electro-pop beats. Their new album, Voices, lets a few more cracks of light in. It boasts a broader range and more exposed vocals than 2011's debut Eyelid Moves, though the duo tend to produce their best songs when they stick to their established sound...
- www.beat.com.au
PhantogramVoices (Barsuk) Phantogram's 2010 debut Eyelid Movies wasn't an album to sing along to. After maybe hundreds of listens to arresting standout "When I'm Small," yours truly still can't tell you what Sarah Barthel is crooning through the sexy production swirl. Never did it occur to me that it might be important. The New York duo's second LP, Voices, corrects that small oversight...
- www.austinchronicle.com
At a sold-out nightclub show this past November, the he-she duo from New York was firing on every imaginable cylinder. Elaborate lighting rigs pulsed and flashed as a rowdy throng of bodies bobbed and bowed with each thunderous clap of bass. Even vocalist Sarah Barthel seemed incredulous at the energetic reception, coyly introducing the next cut with something to the effect of "our record label doesn't want us to play this song yet...but we're going to anyway...
- www.noripcord.com
Deception and contrast are no strangers to music, particularly more complex forms of music such as progressive rock, jazz, and classical music. After all, it's neat to hear something that will catch you off guard once in a while instead of remaining a one-trick pony. While plenty of albums are placed in this "one-trick pony" category out of remaining dedicated to a certain crowd and comfort zone, contrasts and sonic shifts are often welcome to change the pace a bit...
- www.sputnikmusic.com
When Phantogram released their first LP, Eyelid Movies, in 2009, they were the little electropop duo that could. Earlier that year, Sleigh Bells erupted on the scene, defining a new electropop sound and threatening to overshadow their peers. As Eyelid Movies made the indie blog circuit, it gained some well-earned acclaim...
- consequenceofsound.net
Release Date: Feb. 18, 2014 Chalk this one up to soft drugs. Ever since their 2010 gem Eyelid Movies, New York electro-duo Phantogram have been one of this country's most talked about buzz bands. Now with the release of their first full-length debut Voices, the duo is out to prove they are more than worth the hype. Well, at least that was the goal...
- absolutepunk.net
Voices is Phantogram's full-length follow up to 2009's Eyelid Movies (EPs have been released in the interim), and the Saratoga Springs duo stays true to its layered, beat-driven, ambient method. This time around, however, the songs are tighter, and with their signature multi-tracking and moody approach, the album benefits enormously from the added structure. "Nothing But Trouble" is a dreamy and anxious point of entry to Voices...
- www.undertheradarmag.com
There are times when the hazy dream pop on Phantogram's second full-length flirts with the grimly wavy sound proffered by better-established bands like Beach House and the xx. But what makes this upstate New York duo's darkness uniquely compelling is their seamless blending of hip-hop influences with horror-film beats, which insures that their particular brand of brooding is complex and surprising, instead of simply sullen...
- www.spin.com
Although Phantogram's 2009 debut full-length Eyelid Movies was sonically fearless--influences included everything from quaint trip-hop and fuzzy hip-hop to fragile synthpop--it also felt somewhat disjointed. The duo behind the album (vocalist/keyboardist Sarah Barthel and vocalist/guitarist Josh Carter) clearly had a vision for where they wanted the music to go, but their songwriting and arranging skills hadn't yet caught up to their ambition...
- www.avclub.com
Google+ by Chris Robertson