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Voodoo Glow Skulls Concert Tickets

Voodoo Glow Skulls are an underground third-wave ska band. Their music is a mixture of old-style ska, punk and metal. The band formed in 1988 in Riverside, California by brothers Frank, Eddie and Jorge Casillas and their longtime friend Jerry O'Neill. Check our available Voodoo Glow Skulls concert ticket inventory and get your tickets here at ConcertBank now. Sign up for an email alert to be notified the moment we have tickets!


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Voodoo Glow Skulls Reviews

Avg. Customer Rating:
5.0 (based on 9 reviews)

Voodoo Glow Skulls are one of the most enduring bands of the third wave ska movement, they have spent time on two of the largest independent labels around and even have found themselves as part of punk rock mythology. Break The Spell is their ninth new LP and their first for the small indie Smelvis Records. Honestly, there isn't much new here if you are already familiar with the band; Break The Spell is a consistent blend of punk, ska, Latin influence and hardcore...
- www.punknews.org
Album No. 9 from Riverside, California-based aggro-ska-punk band Voodoo Glow Skulls offers little in the way of surprises--which, in their case, is a good thing. Their first album since 2007's Southern California Street Music (and their first album not on Epitaph or Victory in nearly 20 years), the Skulls pick up right where they left off with high-octane ska-punk highlighted by the gruff-around-the-edges vocals of Frank Casillas, one of three brothers in the band...
- www.altpress.com
The Voodoo Glow Skulls are relatively well known in the ska-punk world, and their release Band Geek Mafia met considerable success. Voodoo Glow Skulls formed in 1988 in Riverside, Calif., and Steady as She Goes is their debut for Victory after selling 750,000 copies of four CDs for punk giants Epitaph Records. A prominent main stage spot on the 1998 Warped Tour cemented the Voodoo Glow Skulls' esthetic into the minds of impressionable youth across the United States...
- www.adequacy.net

Southhampton trio Band of Skulls will leave Black Keys and Black Mountain fans pretty happy with this gratingly titled but strong classic rock/garage full-length. The disc leads off with a few bluesy tracks that replace any instrumentally redundant flesh with effective vocal juxtapositions courtesy of singers Russell Marsden (guitar) and Emma Richardson (bass). Then the midsection slows for a stop in ballad country...

- nowtoronto.com
In their decade-plus existence, Voodoo Glow Skulls have been many things at once: A bilingual, multiracial band that voices Latino pride while stumping for racial harmony and economic parity; the band that put the "core" in post-Bosstones ska-core; or simply a raucous party band. The SoCal sextet doesn't stray from that course on Steady as She Goes. One minute they're condemning politicians for ignoring poor neighborhoods...
- www.rollingstone.com
This California ska punk band has been around for thirteen years, and the slack-jawed yokels say they put on a phenomenal live show. Perhaps -- but try singing the chorus to "Voodoo Anthem": "Ren-dez-voo-doo! (who do voo doo we doo, fuck you!!)". Is there any way you can do it where "fuck you" does not sound as emotionless as "and" or "then"...
- www.splendidezine.com
You get a general inkling as to the nature of this record when the opening cut, ""We're Back" features a rant from Guttermouth's Mark Adtkins. Sounding like a carnival barker on crack, he introduces the band "...at the zenith of the now unpopular ska-core genre" and later voicing his general opinion (a notion held by many, one suspects) to "Take that goddamned trombone and cram it right up your Two-Tone ass". Here's a band that doesn't take itself, or it's ill-defined genre seriously. Thank god...
- www.popmatters.com
"The band with glasses and hard looks/ Has got you down in their black book," sneers Voodoo Glow Skulls lead grunter Frank "Potatohead" Casillos on the title track. With similar nose-thumbing numbers like "Hit A Guy With Glasses," I assume the Glow Skulls are former high school marching-band nerds with a past predilection for getting stomped in parking lots. Ever since, they've imbibed lots of cheap beer, fattened up, and formed this band to take their revenge...
- www.pitchforkmedia.com
You get a general inkling as to the nature of this record when the opening cut, ""We're Back" features a rant from Guttermouth's Mark Adtkins. Sounding like a carnival barker on crack, he introduces the band "...at the zenith of the now unpopular ska-core genre" and later voicing his general opinion (a notion held by many, one suspects) to "Take that goddamned trombone and cram it right up your Two-Tone ass". Here's a band that doesn't take itself, or it's ill-defined genre seriously. Thank god...
- www.popmatters.com
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