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Wagner Concert Tickets

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Wagner Reviews

Avg. Customer Rating:
5.0 (based on 9 reviews)

While Parsifal's home shrine of Bayreuth seems increasingly unwilling to shed design and historical baggage, François Girard's production for New York's Metropolitan Opera simply asserts Wagner's core values of compassion, understanding and sanctity without distortion. The grail brotherhood, white-shirted and separated from the community's veiled women by a stream flowing bloody and/or polluted until the end, meets at the start...
- www.classical-music.com
Scant improvement in this final instalment, with an even scrawnier-voiced Siegfried. Catherine Foster's game but wobbly Brünnhilde and Renatus Mészár's undersung Hagen hardly relieve the general mediocrity. Michael Scott Rohan
- www.classical-music.com
This live recording from Hamburg was a pleasant surprise. I had despaired of hearing a contemporary Siegfried who gave me any pleasure. But Christian Franz, though by no means ideal, has many of the qualities the role needs, including a pleasant voice and staying power - he sings for a great proportion of the four hours Siegfried lasts...
- www.classical-music.com
Raising standards ... George Solti Buy it from Buy the CDRichard WagnerWagner: Die Walkure (4cds)Chorus & Orchestra of the Royal Opera House, Covent Garden/Georg SoltiTestament (Note 1 Music GmbH) Georg Solti took over as music director at Covent Garden in 1961...
- www.theguardian.com
Here, for once, is a recording of a great late Wagner opera which can be recommended with virtually no reservation. It is being issued as a kind of supplement to the complete Ring cycle released a couple of years ago by Testament. The major differences here are that Brünnhilde is sung by Martha Mödl, and Gunther by Hans Hotter. Mödl could often sound tired, but here she is utterly inspired, showing why she is a cult singer...
- www.classical-music.com
Rienzi is the opera Wagner shouldn't have written. He betrayed himself, for the only time in his career, by writing to please the Parisian public of the 1830s, which demanded immense 'historical' subjects, lots of scenery, vast dimensions and of course a ballet. When it was finally mounted in Dresden in 1842, Wagner had the biggest success of his career...
- www.classical-music.com
As Mike Ashman's notes say, Valencia's extraordinary Ring 'proved controversial with both purists and those attached to complex intellectual production concepts'. Indeed, it controversially questions whether such concepts are intellectual, necessarily, or just tired old Brechtian posturing. Its brilliant use of computer graphic backgrounds and acrobatic mimes shows one can stage a truly modern, theatrically adventurous Ring without distorting its genuinely central concepts - Wagner's...
- www.classical-music.com
Die Walküre, composed immediately after Das Rheingold, shows Wagner writing something unlike anything that had been written before. It is his most tender, wide-ranging and tragic work. There are probably more recordings of it than any of his other dramas, and many of them are very fine. Judged by suitably exalted standards, this new recording in Marek Janowski's complete series doesn't rank as highly as I'd hoped. The Berlin Radio Symphony Orchestra is magnificent and superbly recorded...
- www.classical-music.com
This is a wonderful celebration of the Scottish Chamber Orchestra's 40th anniversary: sparkling performances, showing this independent-spirited ensemble - one of my own favourites - at their best, from three of their recent conductors - Charles Mackerras, associated with the SCO until his death in 2010; Joseph Swensen, now conductor emeritus; and Robin Ticciati, principal conductor since 2009...
- www.theguardian.com
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